The Poetry: Sonnichsen's nearly 400-page verse novel utilizes lyrical free verse to tell Kara's story. Like some other verse novels for young readers, Sonnichsen project does not adhere to the traditional poetic practice of beginning each new poem on its own page; it appears that she does this to save space, but this practice also forefronts the novelistic aspect of the work. Many of the early poems in the collection employ imagery, sound, and repetition to great effect, but as the collection continues, these poetic techniques are discarded in favor of a focus on plot. The title poem, "Red Butterfly," an early poem in the collection, employs impactful poetic techniques such as imagery, space, and consonance:
I ride with my hair
whipping back,
a long,
flapping
black flag.
..........
The city
is a blur.
No one stares,
..........
when I am alone,
pedaling my ruby-red bicycle.
No one knows I am different,
..........
flitting between them,
a red butterfly. (7-8)
The Page: Red Butterfly is divided into three sections entitled "Crawl," "Dissolve," and "Fly"-- each section playing on the metaphor for transformation (from a caterpillar to a chrysalis to a butterfly). One of the most interesting elements of the verse novel are the collaged illustrations by Amy June Bates. Every four or five pages includes a small illustration, most of the times in the margins of the poems. These illustrations appear to collage bits and scraps of Chinese newspapers combined with pencil drawings. They are quite lovely.
Overall, I give Red Butterfly three stars. It was a fine verse novel; the narrative was engaging, the illustrations were captivating, and the poetry in the early parts of the collection was well-done.