The Poetry: Beyond the use of persona, one of the strongest elements of poetic technique is the use of imagery. and particularly multiple characters' meditations on the eagle quill as an object of significance. In the first poem in the collection, the speaker of the poem, Ardziv, describes his view from above of the three children:
Three young ones,
one black pot,
a single quill,
and a tuft of red wool
are enough to start
a new life
in a new land.
I know this is true
because I saw it.
We track our quills
when they fall (3).Later in the narrative, Shahen is learning to play the oud (an eleven-stringed instrument which is the precursor to the European lute [348]) with the mizrap (a pick made of eagle quill) from his father: "Papa tells me that mystery and power / come in through the quill, / that eagles were with us / long before Christ" (88). And after their parents and older brothers are killed, Sosi rescues the single quill from the bushes and carries it as a connection to her mother: "the feather has a pattern, / ... like petals or tiny leaves / dyed into its yarn. / I found this quill with Mama (210).
The Page: Like Water on Stone is divided into four parts that each correspond with a year and a place. Part one describes the family's life in Palu in 1914, part two tells of the massacre of 1915, part three describes the young protgaonists' journey in the summer of 1915, and part four takes place in 1919. The narrative is also framed by a cast of characters list, an Armenian proverb, a map, an author's note, a glossary, and a list of resources.
I found Wathram's Like Water on Stone to be a fine verse novel, but the focus on Miriam's voice and other characters voices beyond the three primary characters (Shahen, Sosi, and the eagle) was at times distracting and repetitive. I was fascinated by the unique use of magical realism and historical focus of the verse novel though. I give Wathram's verse novel three stars.